Vivid, intense and necessarily wrenching, ‘BPM: Beats Per Minute’ brings ACT UP’s AIDS activism to pulsating, searing life amidst death.
An adorable child’s eye romp, ‘The Florida Project’ gradually reveals heartbreaking reality that lend a devastating kick to Sean Baker’s childhood fantasy.
While we’re covering the 2017 New York Film Festival, keep an eye on our regularly updated diary of opinions and articles from the fest.
NYFF sidebar films ‘Occidental’, ‘El mar la mar’ and ‘Did You Wonder Who Fired the Gun?’ manifest prejudice & empathy strikingly inventive ways.
NYFF Projections doc ‘Good Luck’ and Main Slate thriller ‘Western’ both focus on the physical, political and psychological tolls of commissioned labor.
As its latest season facing viewer backlash and stakes rise for the finale, how might changing its directing team save ‘Game of Thrones’?
Two brawny, male-focused war thrillers, ‘Dunkirk’ and Fox’s ‘Apes’ finale capture an excitingly tense same-sex psychological intimacy.
A sharp, yet chaotic, black comedy, Marianna Palka’s ‘Bitch’ is more bewildering for its feminist critique than for its feebly dominant characters.
Wrenching, gorgeous and often suffocating, Andrew Dosunmu’s ‘Where is Kyra’ is a brutalizing descent into hopeless poverty.
Formally exquisite, yet disarmingly soulful, Kogonada’s ‘Columbus’ is lovely, lyrical film about how art makes us at once richer and smaller.
A serene and sublime dual character study, ‘Princess Cyd’ turns queer coming-of-age into a profoundly empathetic, naturalistic fairy tale.
An oblique journey into the wilderness of young masculine rage, ‘The Strange Ones’ struggles to resonate beyond its unnervingly disciplined craft.
Sadly scooped up by Netflix, ‘The Incredible Jessica James’ is a warm, enthusiastic Jessica Williams showcase that deserves a big screen spotlight.
Schmaltzy, stilted and winningly inclusive, Jennifer Reeder’s ‘Signature Move’ is a charming, if messy, wrestling-fueled rom-com.
A modern noir classic about suffocating celebrity, Aaron Katz’s ‘Gemini’ is as humanely funny a comedy as it is a strikingly stylized thriller.
Ten years after its release, Lena makes her case for ‘Pirates of the Caribbean: At World’s End’ as Gore Verbinski’s grandest romantic opus.
Walter Hill’s ‘The Assignment’ is everything you want pulp fiction to be: classless, tasteless, vulgar, tawdry—and inescapably entertaining.
‘Song to Song’ is, well, a Terrence Malick film—general audiences will generally hate it, but more adventurous filmgoers could have their lives changed.
If ‘Angel’s Egg’ is an unreviewable film, then how does a critic go about reviewing it? Astonishingly, G Clark gives it a go.
A review of ‘La La Land,’ followed by a chat about some achievements sure to go unrecognized by the Oscars.