On the decennial of the Masterpiece WALL-E, Justin and G Clark reassess their feelings toward their favorite Pixar film to date.
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With the year half over, we look at the best of 2018 cinema outside theaters, from TV hits to music videos; from ‘Killing Eve’ to Childish Gambino.
Reviews of Sicario 2, Incredibles 2, and a smattering of 2018 releases that may or may not be sequels.
A featured review of Ari Aster’s debut ‘Hereditary,’ plus a slew of Quick Takes.
In this Paul Schrader-centric episode, reviews of ‘First Reformed,’ ‘American Gigolo,’ and ‘Mishima: A Life in Four Chapters.’
Reviews of some Cannes darlings of years past, including David Lean’s ‘Brief Encounter’ and Bille August’s ‘Pelle the Conqueror.’
Reviews of A Quiet Place, Blockers, and Isle of Dogs
Reviews of Ready Player One, Annihilation, and other movies from the first quarter of 2018.
Before closing the door on 2017 completely, G Clark examines the ridiculous critical plaudits for French film “Théo and Hugo’ and a repellent indie darling.
Some Oscar History this week and we discuss the historically significant 1968 Academy Awards.
A deep dive into what will win, what should win (and what ought to have been recognized) at this Sunday’s Academy Awards.
A discussion of this years Oscar nominations, followed by an attempt to parse out the differences between the “Best Picture” and “Best Director” categories.
G Clark puts a cap on 2017 with his utterly definitive and wholly inarguable rankings of the best films of the year, which everyone may now argue about.
A countdown of each co-hosts lists of the ten best movies of 2017.
In the lead-up to our Best of the Year episode, Lena Houst guest-hosts to discuss the miscellaneous achievements of 2017.
Justin Jagoe’s 2017 in review: A summation of the best (and worst) of the past year’s cinema.
A review of Spielberg’s ‘The Post,’ followed by a discussion of some of the best television of 2017
Reviews of ‘All the Money in the World,’ ‘I, Tonya,’ and a quick take on ‘Downsizing.’
A review of Guillermo Del Toro’s latest, ‘The Shape of Water,’ followed by a discussion of how the still-young Awards season is shaping up.
In the first essay of this series, G Clark examines some of 2017’s critically-acclaimed movies, which for one reason or another didn’t work for him.