James Franco makes ‘The Disaster Artist’ an explanation for and homage to ‘The Room,’ while directing himself to his best role.
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From Greta Gerwig to St. Vincent, Lena bends the definitions of film in her unconventional list of 2017’s best cinematic experiences.
The ‘Empire Strikes Back’ villain is guilty of betrayal, murder and worse. But there’s one aspect of his villainy that often goes unexplored.
In the lead-up to ‘The Last Jedi,’ Introducing a collection of daily essays on each of the ‘Star Wars’ movies.
‘Three Billboards Outside Ebbing Missouri’ tells a relevant story with a stellar cast. It may feel a bit haphazard, but that shouldn’t deter you.
‘Coco’ is a typically entertaining and visually-striking film from Pixar, though it lacks the magic of the studio’s best efforts.
Greta Gerwig’s ‘Lady Bird’ has the bones of a standard-issue coming of age tale, but the meat of a great cast makes it a film worth seeing.
Vivid, intense and necessarily wrenching, ‘BPM: Beats Per Minute’ brings ACT UP’s AIDS activism to pulsating, searing life amidst death.
An adorable child’s eye romp, ‘The Florida Project’ gradually reveals heartbreaking reality that lend a devastating kick to Sean Baker’s childhood fantasy.
While we’re covering the 2017 New York Film Festival, keep an eye on our regularly updated diary of opinions and articles from the fest.
NYFF Projections doc ‘Good Luck’ and Main Slate thriller ‘Western’ both focus on the physical, political and psychological tolls of commissioned labor.
As its latest season facing viewer backlash and stakes rise for the finale, how might changing its directing team save ‘Game of Thrones’?
Formally exquisite, yet disarmingly soulful, Kogonada’s ‘Columbus’ is lovely, lyrical film about how art makes us at once richer and smaller.
A serene and sublime dual character study, ‘Princess Cyd’ turns queer coming-of-age into a profoundly empathetic, naturalistic fairy tale.
A modern noir classic about suffocating celebrity, Aaron Katz’s ‘Gemini’ is as humanely funny a comedy as it is a strikingly stylized thriller.
Ten years after its release, Lena makes her case for ‘Pirates of the Caribbean: At World’s End’ as Gore Verbinski’s grandest romantic opus.
If ‘Angel’s Egg’ is an unreviewable film, then how does a critic go about reviewing it? Astonishingly, G Clark gives it a go.
‘Ghost in the Shell’ is a thoughtful and philosophical blockbuster, like a big-budget art film, with a fantastically precise ScarJo performance.
‘Life’ stitches together the good bits of better, previous science fiction movies. It’s pretty generic stuff, but entertaining regardless.
‘Kong: Skull Island’ is a disappointing Hollywood tentpole—devoid of wonder, suspense, characterisations, or anything else that makes movies enjoyable.